Textmanuscripts - Les Enluminures
Les Enluminures publishes three series of catalogues devoted to the study of text manuscripts. The “Text Manuscripts” catalogues are full-length publications that examine different aspects, functions, and traditions in manuscript production during the Middle Ages and the Renaissance. Our “Primers" present small curated collections of manuscripts, introducing specific genres of medieval manuscripts to a wider audience. See below for our complete list; all are available for purchase and may be ordered below. We also publish a series of e-Catalogues, Exploring Text Manuscripts, which can be downloaded by following the links below.
Historical writing in the Middle Ages and the Renaissance encompassed numerous genres; the eight manuscripts included here reflect this diversity. Carl Sagan has said, “You have to know the past to understand the present.” These manuscripts reveal that knowing how the past understood its own past, will allow us in turn to understand the past.
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Everyone knows the saying, “You can’t tell a book by its cover." It is often true, but not in the case of the ten manuscripts included in this list. All the manuscripts here, which date from the thirteenth through the early sixteenth century, survive in a medieval binding.
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Price matters, and this list recognizes the fact, presenting six books and manuscripts defined simply by their price. All are less than $20,000, and three are less than $10,000. An arbitrary criterion? Perhaps, but the resulting list is full of interest. Spanning the centuries from the 15th through the 20th, these manuscripts and books touch on numerous topics in book history: the technologies of book making, authorial autographs, facsimiles, presentation copies, and more.
Sandra Hindman presents E-Catalogue Six - Video
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Text manuscripts are not only interesting for their texts–indeed, some of them include pictures. Pictures we can all enjoy. We marvel at the glowing colors and the skill of the artists who made them. But the function of painted decoration in medieval and Renaissance manuscripts was never only aesthetic. Here we present ten manuscripts and books with figurative decoration. Each example invites the question of why (to help readers find their place, provide images for private devotion, or entice potential patrons, to name a few possibilities) and how (painted by hand, printed and then hand-illuminated, and even woven). The pictures in these examples are as unique and intrinsically interesting as their texts.
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Manuscripts are, by definition, made by hand, and one of the thrills of studying them is connecting with the many people who made them, from the parchment or paper maker, to the scribe, the illuminator, and binder, and the many people who owned and read them down through the centuries. At times, though, these people can seem abstract and are often unnamed. It is thus exciting when the personal comes into focus and we meet the “I” in a manuscript, as it does in the case of each of the ten manuscripts in this varied list. Here we have scribes and original owners known by name, owner-produced books (or as we have called them, “selfie-books”), and biographies that by definition focus on the personal. For the collector and in the classroom, these manuscripts bring the Middle Ages and Renaissance alive.
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“If we want to eavesdrop on the actual words of the medieval courts, or the banter of trade, or the inmost thoughts of private piety, it will not be in Latin but in medieval French, English, German, Dutch, or Italian,” so says the inimitable Christopher de Hamel. In this list, we present ten manuscripts in French. Each broadens our picture of medieval and Renaissance society. Canon Law is the law of the church, and Latin was undoubtedly the language of clerics. A thirteenth-century Canon Law manuscript in French reminds us that viewing the civilization of the Middle Ages exclusively through the lens of Latin is much too narrow. Included are histories, feudal records, and texts exploring ethical and religious behavior, some originally composed in French, others translated from Latin. For the classroom and the collector, these manuscripts bring to life the stories of men and women in everyday life in the past.
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This new series of e-Catalogues focuses on select themes of text manuscripts available in our inventory on www.textmanuscripts.com.
Sallust, Plutarch, Cicero, Juvenal, Boethius–are these authors we still read? that we should still read? Certainly, they have shaped our society. As the historian Mary Beard says, “many of our most fundamental assumptions about power, citizenship, responsibility, political violence, empire, luxury, beauty, and even humour, have been formed, and tested, in dialogue with the Romans and their writing.”
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This new series of e-Catalogues focuses on select themes of text manuscripts available in our inventory on www.textmanuscripts.com.
Manuscripts made and/or owned by women offer one of the best and most vivid resources for telling the stories of these women, secular and religious, young and old, high-born and common. Seven of the manuscripts in our new list were owned by, and often made by, nuns; the lives of secular women are revealed in three special manuscripts. For the classroom and the collector, these manuscripts bring to life the roles women played in society.
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The Satellite Series enables us to explore topics at the edges of our core inventory, looking ath the big picture and connections across media. It is fitting that the first "satellite" is focused on neo-Gothic books woven with silk. Matthew J. Westerby excellent essay presents new findings on five books programmed with punch cards and produced with Jacquard looms in Lyon for submission to the 1889 World's Fair.
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The thirty-six manuscripts included in this catalogue provide viewers unique access to the authentic, spontaneous vision of people in medieval France, Italy, Germany, the Low Countries, and Britain.
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This catalogue focuses on books as material artifacts made and used by people: the people in the book, the people who made them, and (even more) the people who used them, read them and owned them. TEXT MANUSCRIPTS vol. 6
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This catalogue showcases thirty-six manuscripts that demonstrate the important role that women played as authors, artists, scribes, patrons, and book-owners throughout the Middle Ages and the Renaissance. TEXT MANUSCRIPTS vol. 5
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The fourth in our series of Text Manuscripts catalogues, "Sacred Song: Chanting the Bible in the Middle Ages and Renaissance," brings together thirty-two manuscripts from the fourteenth to the nineteenth centuries that represent different aspects of the chant tradition, as well as other forms of sacred music. TEXT MANUSCRIPTS vol. 4
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This catalogue, third in a series of catalogues on text manuscripts, is called "Paths to Reform." The approximately thirty-five manuscripts presented here highlight the texts that inspired reform movements from the twelfth to the sixteenth century. TEXT MANUSCRIPTS vol. 3
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The essay in this catalogue examines seventy-three blocks designed by Antonio Tempesta for the Evangelium Sanctum Domini nostri Jesu Christis, the first complete Western appearance of the four canonical Gospels written in Arabic.
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This catalogue explains the pre-history of the King James Bible, “the book that changed the world,” with a complete introduction and short essays on thirty-seven manuscripts (organized in five different categories). TEXT MANUSCRIPTS vol. 2
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This catalogue includes an introduction, essays, a glossary, and a complete bibliography on manuscripts with original bindings. TEXT MANUSCRIPTS vol. 1
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In April 2019 we reached TM 1000 on our website www.textmanuscripts.com. The present publication was created to celebrate both this remarkable milestone and the success of our newest program, Manuscripts in the Curriculum. Sixteen manuscripts from our past inventory and sixteen manuscripts from our current inventory (on an insert of separate cards) together illustrate sixteen major categories of manuscripts for teaching.
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Jews have been referred to as one of the “Peoples of the Book” – and with good reason. The Hebrew Scriptures occupy a central place in Jewish cultural and political life and consciousness.
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Breviaries are one of the most common types of manuscript surviving from the later Middle Ages. The introduction to this primer provides a general guide to their history and contents.
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Appreciating and understanding the history of the scripts found in medieval and Renaissance manuscripts can be complicated. This is especially true for the scripts of the later Middle Ages. In this primer we focus on these later scripts, illustrated with thirteen examples dating from the late twelfth century to 1734.
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This primer provides a glimpse into the fascinating field of diplomatics, or the study of documents. Diplomatics is concerned mostly with the study of legal and administrative records through a detailed examination of their physical and textual (including linguistic) characteristics.
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This Primer provides short introduction to a complex subject: how artists, scribes, and publishers in France, England, Germany, and the United States used the remote medieval past to articulate aesthetic principles in the book arts at the dawn of the modern era. We cover the period from about 1840 to about 1920. Although there are thirteen examples in this Primer, many include more than one work.
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“Manuscript Production,” the sixth volume in our series of “Primers,” addresses the most basic questions: how were manuscripts made? who made them? and even (in one case), how long did it take? None of these questions are necessarily easy to answe, but, as is shown here, the first step toward an answer involves careful study of manuscripts as material artifacts.
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“Bestsellers,” the fourth volume in our series of “Primers,” assembles a group of manuscripts that survive in many hundreds of copies to explore the idea of the medieval “bestseller.” Medieval “bestsellers” were the texts considered truly important, and thus preferentially copied, during the Middle Ages. The texts in this collection include some that are still read today, alongside others, of equal significance, that are hardly known even to scholars and almost certainly seldom read.
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"Law," the third volume in our series of "Primers," provides an overview of one of the most complex genre of codices of the Middle Ages. The twelve manuscripts present a coherent collection tracking the development of western European law― civil and canon― from Justinian to the sixteenth century.
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"Alchemy," the second volume in the series of “Primers,” presents ten manuscripts from the collection of Joost R. Ritman in the Bibliotheca Philosophica Hermetica in Amsterdam. Professor Principe’s contributions to this volume present a useful up-to-date guide to the often misunderstood subject and argue for the rightful position of alchemy in the development of modern science.
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Each small volume in the new series of “Primers,” introduces one genre of medieval manuscripts to a wider audience by providing a brief, general introduction, followed by descriptions of text manuscripts that belong to that genre. Also included is additional pedagogical material appropriate to the subject. "Sermons" is the first one volume in the series.
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